(con)juncture was lawson fletcher's thought pile. Now blogging at soundofruins.net
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27.3.09

"When we live in a virtual isolated space, every reconnection with the Real is, of course, something shattering; it is violent." (Žižek, Conversation 4: Tolerance and the Intolerable)

When I visited the tattoo parlour, the guy said to me, "and you know, there's very few things in this world today that you can do that are just for you, for yourself only, and a tattoo is one of them."

11.3.09

what's the 21st?

On Silence, by Aldous Huxley

The twentieth century is, among other things, the Age of Noise [The twenty-first century is, among other things, the Age of Sound]. Physical noise, mental noise and noise of desire -- we hold history's record for all of them [Binary sound, social sound and sound of silver - we hold history's record for all of them]. And no wonder; for all the resources of our almost miraculous technology have been thrown into the current assault against silence [And no wonder; for all the resources of our digital technology have been thrown into the current assault against physically discrete media]. That most popular and influential of all recent inventions, the radio is nothing but a conduit through which pre-fabricated din can flow into our homes [That most popular and iconic of all recent inventions, the iPod is nothing but a conduit through which pre-fabricated control can flow into our ears]. And this din goes far deeper, of course, than the eardrums [And this control goes far deeper, of course, than the subject]. It penetrates the mind, filling it with a babel of distractions, blasts of corybantic or sentimental music, continually repeated doses of drama that bring no catharsis, but usually create a craving for daily or even hourly emotional enemas [It penetrates the social, filling it with a babel of styles, blasts of pop or indie music, continually renewed tracks that bring no meaning, but usually create a craving for constant affective flattenings]. And where, as in most countries, the broadcasting stations support themselves by selling time to advertisers, the noise is carried from the ear, through the realms of phantasy, knowledge and feeling to the ego's core of wish and desire [And where, as in most cultures, the listeners support themselves by downloading the music for free, the sound is carried from the computer, through to the device, and back out again]. Spoken or printed, broadcast over the ether or on wood-pulp, all advertising copy has but one purpose -- to prevent the will from ever achieving silence [Heard or not, reproduced over the laptop or in earphones, all digital music has but one purpose -- to prevent the will from ever achieving difference]. Desirelessness is the condition of deliverance and illumination [Disequilibrium is the condition of discovery and ethos]. The condition of an expanding and technologically progressive system of mass production is universal craving [The condition of an expanding and technologically progressive musical apparatus is universal equilibrium]. Advertising is the organized effort to extend and intensify the workings of that force, which (as all the saints and teachers of all the higher religions have always taught) is the principal cause of suffering and wrong-doing and the greatest obstacle between the human soul and its Divine Ground. [iPods are the manifest effort to extend and intensify the workings of that force, which (as all the folk have always known) is the principal cause of stasis and ossification and the greatest obstacle between the musical experience and its mobilisation].